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April 27, 2010
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Comments: 67
Favourites: 64 [who?]

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:iconrichardleach:
Charcoal on old poetry book page.

This became part of a collaboration with :iconizaaaaa:


and a second collaboration with :iconmr-twingo:
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:iconxaliandrea:
Great concept! I really like it. :+fav:
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:iconrichardleach:
*RichardLeach Dec 9, 2010  Professional Traditional Artist
Thank you very much! And for the fave too.
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:icononeofthose-rachels:
I second DroopingSanityFences's comment -- the minimalism in the poem engages us and pulls us in. Gorgeous.
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:iconrichardleach:
*RichardLeach Jun 13, 2010  Professional Traditional Artist
Thank you!
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:icondroopingsanityfences:
less is definitely more in this case.
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:iconrichardleach:
*RichardLeach Jun 8, 2010  Professional Traditional Artist
thanks!
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:iconmarkus43:
one of them there Pennsylvania surpirise storms


nasty and merciless
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:iconrichardleach:
*RichardLeach May 15, 2010  Professional Traditional Artist
nasty when they strike, flooding and power loss follow - rough stuff.
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:iconpmaeck:
Possibly the artist (that would be you) blacked out the lines; possibly the book's original owner did. We can't know which, and I like it that way. What emerges, of course, is a found haiku of sorts. As if the words remaining visible had emerged from their old skin, their old cocoon. These are the hardy, strong, significant words; those obliterated were the weak, sick ones. The poetic herd has been thinned by the Sharpie-weilding predator. The herd will be stronger hereafter.
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:iconrichardleach:
*RichardLeach May 7, 2010  Professional Traditional Artist
Thank you for that incredibly great comment! I have never read a better, more poetic description of a cross-out piece than that, nor do I think I ever shall!
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